COMPILED AND WRITTEN BY DERIC "D-ROC"BERNIER.
[ INTRODUCTION ]..... [ STATS ]..... [ DESCRIPTIONS ].. [ MELEE WEAPONS]... [ ADDITIONAL RULES ]
Warning: Because of the HUGE table on this page, it may take a while to load.
| Ok, for all you punks who like a little variety in your ass whippin' I have compiled the master martial arts list. Using the format in the PACIFIC RIM SOURCEBOOK , this list includes every martial art you could imagine, including some I made up just to add some spice to the mix. The hardest part was setting the difficulty modifier. Originally my system was based on how hard the style was to learn, and how hard it was to find, but after several comments I have decided to revise this. Now the IP modifier is based strictly on how hard the art is to learn. The difficulty of finding someone to teach the character the art is something that should be roleplayed. If you don't own a copy of PAC RIM I strongly urge you to go out and buy it right now. It specifies in detail the hand to hand and melee rules for CP 2020. Ok, got your cup in place, let's go. | ![]() |
| Chin Lu, student and teacher at Momma Sifu's and Papa Sensei's School of Martial Arts. |
| Style | IP
Mod |
Strike/
Cast |
Punch | Kick | Disarm | Sweep | Block | Dodge | Grapple | Throw | Hold | Choke | Escape | Ram |
| African Kickfighting | (3) | - | 1 | 3 | - | 2 | 3 | 2 | - | - | - | - | - | - |
| African Monkey Style | (2) | - | 2 | 1 |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
| Aikido | (5) | - | - | - | 3 | 3 | 1 | 3 | 4 | 4 | 3 | 1 | 3 | - |
| Aikijitsu | (4) |
- |
2 |
1 |
3 |
- |
1 |
2 |
2 |
2 |
1 |
- |
- |
- |
| American Kickboxing | (2) |
- |
1 |
3 |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
| An Ch'I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Animal
Kung-Fu |
(2) |
2 |
2 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
| Arasake-Te | (3) | 1 | 1 | 1 | 1 | - | 1 | 1 | 1 | 1 | 1 | 2 | 1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Baraqah |
(4) |
- |
1 |
2 |
- |
2 |
2 |
- |
3 |
2 |
3 |
- |
3 |
- |
| BCT |
(3) |
- |
2 |
1 |
1 |
- |
1 |
- |
1 |
1 |
1 |
1 |
1 |
- |
| Bersilat |
(3) |
1 |
2 |
2 |
- |
- |
2 |
1 |
- |
1 |
- |
- |
1 |
- |
| Bok Pai | (3) | - | 3 | 2 | - | 1 | 2 | 2 | - | 2 | - | - | 1 | - |
| Boxing | (2) | - | 3 | - | - | - | 3 | 1 | - | - | - | - | - | - |
| Brazillian
Juijitsu |
(4) |
- |
- |
- |
- |
2 |
1 |
1 |
4 |
1 |
4 |
3 |
3 |
- |
| Capeoria | (3) | - | 1 | 2 | - | 3 | 2 | 2 | - | - | - | - | - | - |
| Catchascatchcan |
(3) |
- |
1 |
1 |
- |
1 |
1 |
- |
1 |
1 |
1 |
1 |
1 |
- |
| Cha Chu'an | (4) | - | 3 | 3 | - | 1 | 2 | 2 | - | 2 | - | - | 1 | - |
| Cha Hsuin Men | (4) | 4 | 2 | 1 | 2 | - | 2 | 2 | - | - | - | 1 | 1 | - |
| Ch'in Na | (4) | - | 1 | - | 1 | - | 2 | 2 | 2 | 2 | 2 | 2 | 1 | - |
| Choi Li Fut | (4) | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | - | - | - |
|
| Chu
Fen Do |
(2) |
- |
1 |
1 |
1 |
- |
1 |
1 |
1 |
- |
- |
- |
- |
- |
| Chulukua | (2) |
2 |
1 |
2 |
- |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
- |
- |
| Cornu
Breton |
(2) |
- |
- |
- |
- |
- |
- |
1 |
2 |
1 |
1 |
1 |
1 |
- |
| Coung
Nhu |
(3) |
2 |
2 |
2 |
- |
1 |
1 |
1 |
2 |
1 |
1 |
- |
- |
|
| Dambe |
((2) |
- |
3 |
3 |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
| El
Cuchillo |
(2) |
3 |
- |
1 |
1 |
- |
1 |
1 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Fong Ngan | (3) | - | 4 | 2 | 1 | - | 1 | 1 | - | - | 1 | 1 | - | - |
| Fu Chiao Pai | (3) | 1 | 4 | 4 | - | - | 1 | 1 | - | - | - | - | 1 | - |
| Gatka |
(3) |
3 |
1 |
1 |
- |
- |
2 |
2 |
- |
- |
- |
1 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Gun Fu | (4) | 1 | - | - | 2 | 3 | 2 | 4 | 4 | - | - | - | 2 |
|
| Hakoko |
(2) |
- |
- |
- |
- |
1 |
- |
- |
1 |
3 |
1 |
1 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Hisardut |
(4) |
- |
2 |
2 |
1 |
- |
1 |
- |
2 |
2 |
1 |
2 |
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Hoppkido | (2) | - | 1 | 1 | - | 1 | 1 | - | 1 | - | - | 1 | - | - |
| Hwarang-Do | (4) | 3 | 2 | 2 | - | 1 | 1 | 1 | - | 1 | 1 | 2 | 1 | - |
| Irish
Cudgel Fighting |
(2) |
3 |
1 |
- |
1 |
- |
1 |
1 |
- |
- |
- |
- |
- |
- |
| Ishin Ryu | (3) | 1 | 2 | 2 | 1 | - | 1 | 1 | - | - | - | - | 1 | - |
| Jailhouse
Rock |
(3) |
- |
2 |
2 |
1 |
1 |
1 |
2 |
- |
- |
- |
- |
1 |
- |
| Jattenhand |
(5) |
2 |
2 |
1 |
- |
3 |
1 |
4 |
- |
2 |
- |
- |
4 |
3 |
| Jeet Kun Do | (3) | 3 | 3 | 2 | 1 | 1 | 2 | - | - | - | - | - | - | - |
| Jitte | (5) | 4 | 1 | 2 |
|
2 | - | 1 | 2 | 3 | 2 | 1 | 2 | - |
| Jogo
De Pau |
(3) |
3 |
- |
1 |
2 |
- |
2 |
3 |
- |
- |
- |
- |
- |
- |
| Judo |
(3) |
- |
- |
- |
- |
2 |
- |
1 |
2 |
3 |
2 |
1 |
1 |
- |
| Jui Jitsu | (3) | - | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 |
|
| Kajukenbo |
(3) |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
- |
- |
- |
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Karate | (2) | - | 2 | 2 | 1 | - | 2 | - | - | - | - | - | - | - |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Kendo | (3) | 4 | - | 1 | - | 2 | 3 | 3 | - | - | - | - | - | - |
| Kenjutsu |
(3) |
4 |
- |
- |
3 |
- |
3 |
2 |
- |
- |
- |
- |
- |
- |
| Kenpo | (3) | - | 2 | 2 | 1 | 1 | 1 | - | 1 | 1 | 1 | - | 1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Koppo | (4) | - | 4 | 2 | - | 3 | 3 | - | 2 | - | 2 | 1 | 2 | - |
| Krabi
Krabong |
(4) |
5 |
- |
1 |
3 |
2 |
3 |
1 |
- |
- |
- |
- |
- |
- |
| Krav Maga | (4) | 2 | 3 |
1 |
3 |
1 |
2 |
- |
2 | - |
- |
1 |
2 |
- |
|
|
|
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|
| Kung Fu (US) | (3) | 2 | 2 | 2 | 1 | 1 | 2 | - | - | - | - | - | - | - |
| Kuo-Chu'an | (4) | - | 3 | 1 | 2 | 3 | 2 | 3 | - | - | - | - | - | - |
| Kupigana
Ngumi |
(4) |
- |
2 |
2 |
- |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
- |
| Kyokoshinkai | (4) | - | 3 | 2 | - | - | 1 | 1 | 1 | 2 | 2 | - | 2 | - |
| Lee Kwan
Choo (no damage) |
(5) | - | 4 | 1 | 3 | - | 3 | 4 | 2 | 4 | 3 | - | 1 | - |
| Li-Chia | (3) | - | 3 | 2 | - | - | 2 | 1 | - | - | - | - | 1 | - |
| Lua |
(5) |
- |
2 |
2 |
2 |
1 |
3 |
- |
4 |
2 |
3 |
2 |
2 |
- |
| Maratabeen | (3) |
1 |
2 |
1 |
1 |
- |
1 |
- |
2 |
2 |
1 |
2 |
- |
- |
| Mien-Chu'an | (4) | - | 3 | 1 | 3 | - | 3 | 2 | - | - | 2 | - | 2 | - |
| Moo Gi Gong | (3) | 1 | 1 | 2 | 3 | 2 | 4 | - | - | - | - | - | - | - |
| Muay Thai | (3) | - | 3 | 4 | - | - | - | 2 | - | 1 | - | - | - | - |
| Ninjutsu | (3) | 3 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | - |
| Nuba
Stick Fighting |
(3) |
3 |
- |
2 |
- |
- |
2 |
2 |
- |
- |
- |
- |
- |
- |
| Nuba
Wrestling |
(3) |
- |
1 |
- |
- |
1 |
- |
- |
2 |
2 |
2 |
2 |
2 |
- |
|
|
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| Pao Pat Mei | (3) | - | 3 | 3 | - | 3 | - | - | 1 | 1 | - | 1 | - | - |
| Panzer
Faust (full borg only) |
(5) | - | 3 | 3 | - | 1 | - | 3 | 3 | 1 | - | - | 4 | 3 |
|
(full borg only) |
|
|
|
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|
|
|
|
|
|
| Pentjak Silat | (5) | 3 | 1 | 2 | - | - | 2 | 3 | 1 | - | 1 | 2 | 1 | - |
| Sankukai | (4) | - | 1 | 3 | - | 1 | 2 | 1 | 2 | 2 | 2 | - | 3 | - |
| Sambo | (4) | 2 | 2 | 2 | 2 | 2 | - | - | 2 | 3 | 2 | - | 2 | - |
| Savate | (2) | - | - | 4 | - | - | 1 | 1 | - | - | - | - | - | - |
| S.C.A.R.S. |
(5) |
- |
4 |
2 |
2 |
- |
- |
- |
2 |
3 |
2 |
3 |
2 |
- |
| Shao Lin | (3) | 2 | 2 | 2 | - | 2 | 3 | 1 | - | - | - | - | - | - |
| Sinanju | (5) | - | 4 | 1 | 3 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | - |
| Snake
Style Kung Fu |
(4) | - | 4 | - | - | - | 3 | 3 | - | - | 3 | - | 3 | - |
| Streetfighting |
(3) |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
| Sumo | (4) | - | 2 | - | - | 2 | - | 2 | 2 | 3 | 1 | - | 1 | 4 |
| Tae Kwan Do | (3) | - | 3 | 3 | - | 2 | 2 | 1 | - | - | - | - | - | - |
| Tai Chi Chuan | (3) | 2 | 2 | 1 | - | 2 | 1 | 1 | - | - | - | - | - | - |
| Taido | (6) | 2 | 3 | 3 | - | 3 | 3 | 3 | 2 | 3 | 1 | - | 1 | 4 |
| Tai Sing Pek Kwar | (4) | - | 3 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | - | - | 3 | 2 |
| T'ang Su | (5) | - | 2 | 2 | 2 | - | 3 | 4 | 3 | 1 | - | 2 | 1 | - |
| Te | (3) | 2 | 2 | 1 | 1 | 2 | - | 1 | - | - | - | - | - | - |
| Thamoc | (3) | 1 | - | - | 3 | - | 1 | 1 | 3 | - | 3 | - | 1 | - |
| Trash Boxing | (3) | - | 2 | 3 | - | 3 | - | 1 | - | 1 | - | - | 2 | 1 |
| Tien-Hsueh Touch | (4) | - | 5 | - | 1 | - | 2 | 3 | 1 | - | 1 | - | 1 | - |
| Tsui Pa Hsien | (4) | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | - | 1 | 1 |
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| U-Ra-Do | (3) | 1 | 1 | 1 | - | 3 | 2 | - | - | - | 1 | 1 | - | - |
| Varmannie | (3) |
- |
1 |
1 |
- |
1 |
- |
- |
2 |
1 |
1 |
1 |
1 |
- |
| Wai Wing Chun | (4) | 2 | 2 | 2 | - | 1 | 2 | 2 | 1 | - | 2 | - | 2 | - |
| Wrestling | (3) | - | - | - | - | 1 | - | - | 2 | 2 | 2 | 1 | 2 | - |
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| Wu Shu T'sung | (3) | 2 | 2 | 2 | 1 | - | 1 | 1 | - | - | 1 | - | 2 | - |
| Xing-Chiao | (3) | - | 3 | 3 | - | 2 | 1 | - | - | - | 1 | - | - | - |
| Yu-Sool | (5) | - | 3 | 1 | - | - | 2 | 2 | 4 | 3 | - | 3 | 1 | 2 |
| Zanji
Shinjenken-Ryu |
(4) | 5 | 1 | 2 | - | - | 2 | 2 | 2 | - | - | - | - | - |
| Zero Gee Combat | (3) | - | 1 | 1 | - | - | 1 | 2 | 2 | 2 | 1 | - | 1 | 2 |

AFRICAN KICKFIGHTING- A popular form of sparring on the
subcontinent, bascially involving two tribesmena kicking each other
senseless. Not a formal style, and almost unheard of outside of
africa.
AFRICAN MONKEY STYLE - Similiar to the Chinese monkey boxing only in
that it tries to emulate the behavior of the primate, African monkey
style is far more bestial and savage, but not as refined or
polished. No forms, really just a very primal outburst, complete
with scratching and biting, and lots of noise. Unheard of outside
of Africa.
AIKIDO - Defensive martial art. Fairly common anywhere in the free
world it teaches it users to wait until attacked and then proceed to
break
the offending arm, leg or whatever. Taught everwhere, though the
techniques are very difficult to master. Lesser forms, which
aren't as extensive, are often passed off as aikido.
AIKIJITSU - An ancient Japanese art, taught to samurai so they would
not be defenseless when unarmed. It focuses on strikes, pressure
points, disarms, and throws, and is meant to be used until a samurai
can procure himself a weapon. Very rarely taught outside of
japan, and even in Japan it is fairly rare, the few practitioners who
do teach it are generally Fuedal enthusiasts.
AMERICAN KICKBOXING - A very watered down form of Muay Thai. When someone tells you they are an expert Kickboxer this is usually what they are talking about. It does not have the conditioning excercises or rigourous, almost torturous, training of the Thai martial art, and is instead more for tournament fighting along the tamer american and european rules. Taught Everywhere.
AN CH'I - This is the style of the Lin Kuei, the chinese version
of the shinobi, it os rumored that the very origins of Ninjutsu came
from
the Lin Kuei. Like its Japanese counterpart, An Ch'i is
considered
an assasin's art, suited for attack and withdraw fighting. This
style
teaches the use of many weapons, especially those that cen be eassily
concealed. Taught only in secret remote locations in China.
ANIMAL KUNG-FU - A bastardized version of the Five Style Fist.
This version is common worldwide, and is easy to learn, though not very
balanced.
ARASAKA-TE - developed by instructors at Arasaka to be an
all-purpose,
fast, and easy to learn martial art, this new style has enjoyed immense
popularity among the corporate and security circles. Considered weak by
other martial artists due to its corporate origins. Taight at all
Arasaka training Facilities as well as Dojos in any city they have
major holdings.
BANDO - The martial art of the infamous Nepalese soldiers, the
Gurkha.Actually the art is ancient, consisting of 3 seperate forms
until
they were fused in the 1930's. Its attacks are centered around
incapacitition
above death. This means a practitioner will most likely go for an
unprotected leg before attempting to strike a defended head or
torso.
Thier are many animal forms to this style, each with slight
variations.
It also places emphasis on use of the Kukri blade, a heavy knike which
acts as both a combat weapon and machete.
BARAQAH - A muslim Martial art originating in North Africa.
Generally taught only in the muslim commuinty it focuses on grappling
and quick strikes.
BCT - Basic Combat Training, this is the general, all purpose,
martial art taught to American servicemen. Derived mostly from
Karate and Judo, it is also commonly taught around the U.S. by retired
military personel.
BERSILAT - A Malaysian martial art similiar, and possibly derived
from, Pentjak Silat. Like Choi li Fut and Capoeira it resembles a
dance, as is often performed as such at weddings and other
celebrations, howver it is also a deadly martial art, with focus on
stiking, armed and unarmed. Rarely taught outside of India or
Indian Communities.
BOK PAI - Crane style kung fu, emulating the graceful, fluid movements of the great bird for which it is named. It is a soft style and the moves are sweeping arm attacks and roundhouse kicks, all while the artist is constantly pivoting and spinning
BOXING - The manly art of fisticuffs. Completely geared around
upper body strength and powerful punches.
BRAZILLIAN JUIJITSU - Made famous by the Gracie family, Brazillian
Ju-Jistu is possibly the ultimate in the grapping arts, allowing
smaller fighters to take down men twice their size and weight with
relative ease. Once a practitioner has a succesful grapple, he
will hold on tenaciously, slowly crawling and maneuvering around the
opponents body until he has the best position possible to put his
opponent down. It biggest weakness however, is that against an
armed opponent, or mulitple opponents, it is virtually useless.
Taught almost mostly in Brazil, though its popularity has been steadily
increasing. Many times you will see people trying to pass off an
inferior martial art as Brazillian Jujitsu.
CAPEORIA - Developed by Caribbean slaves this style resembles
a tribal dance. (During the 19th century, slave owners would stage
gladiatorial
bouts between their slaves for gambling purposes. The slaves would
sometimes
be dressed as roosters and wore metal claws on their fingers and spurs
tied to their calves.)
CATCHASCATCHCAN - A hybrid competition martial art that tried to
encompass everything, though not very well. It lacks the
discipline and focus of more traditional martial arts, and has zero
spiritual considerations. It is only slightly more respected than
professional wrestling. But it is oddly popular as a martial art,
especially to those who care little for expanding their mental and
spiritual repertoire along with their physical.
CHA CH'UAN - From the outer reaches of Mongolia this form was born centuries ago. Mongolia is still the only place known where this relatively secret art can be taught. It uses the hit and run principle of attack. Practitioners will jump in attack the retreat, repeating when opportunity presents itself.
CHA HSIUN MEN - (white jade fan) A very rare martial art this is geared towards the mastery of the iron fan weapon. It is the art of surprise, a practitioner will calm his enemy then attack when he is off guard. Not very effective against multiple attackers it can be devastating to a single opponent who lets his guard down.
CH'IN NA - Another rare art, this is an ancient wrestling style. It teaches the bodies weak points and how to best attack them, a master will know every nerve cluster, the precise way to attack a limb to leave it broken or dislocated. An extremely dangerous form it is taught only in secrecy and only after tokens of fealty are given and an oath given to never reveal its practitioners. If the oath is broken the penalty is death.
CHOI-LI FUT- A style of kung fu directly descended from the shaolin
this style teaches when a fight is eminent to attack first with
lightning
speed and ferocious kicks and punches. It is a fairly common form
taught
almost everywhere in the free world.
CHU FEN DO - Similiar in concept to Jeet Kun Do, but lacking Master
Lee's spiritual comcepts and background, Chu Fen Do is an average all
around martial arts with an open philosphy towards eliminating form and
embracing function and efficiency. Taught across America, Canada
and Europe.
CHULUKUA - The only Native American martial art still in existence,
and really a conglomeration of over 150 native american tribal martial
arts, melded into one system. Taught not only as a form of self
defense, but also as a form of cultural pride. Only official
Native American tribe members are taught this, though it has spread to
almost reservation in north america, and among the nomad community as
well.
CORNU BRETON - An obscure english grappling art, all but forgotten
except for historical afficionados and cornish cultural adherants.
COUNG NHU - A Vietnamese martial art melding the basic
principles and forms of many other martial arts, including those from
China, Japan, and Korea. Rare outside of Vietnam and Vietnamese
communities.
DAMBE -A very savage martial art from Nigeria consisting of kicks,
punches, knees and headbutts. Almost unheard of outside of africa.
EL CUCHILLO - A spanish martial art revolving around the
knife. Jitte is derived and expanded from this art. Taught
in Spanish, Mexican, and South American back alleys, and anywhere else
there is a large latin community.
ESCRIMA - This is a basic description of the Filipino martial arts. While it does teach unarmed techniques, its center of focus is around a short stave called an Escrima stick, and the Balisong knofe (incorrectly refered to as the butterfly knife). The first goal of escrima is to disarm an opponent, and the art is categorized by it quick mulitple attcks to the arms and wrists, followed by a devastating attack to the head and body.
FONG NGAN- (phoenix eye kung fu) A common style emphasizing on getting in too close for your opponent to make an effective attack while giving the student of the form ample opportunity to decimate his enemy. Weapons become useless once the artist gets in his preferred range, which is usually almost chest to chest with his attacker. Intimidation also plays a big part of this style and before the fight begins a practitioner will try to stare his opponent down.
FU CHIAO PAI- (tiger claw kung fu) Students of this style imitate
the
powerful tiger when in combat. With fierce attacks and devastating
blows
always trying to do the most amount of damage he can to his opponent. A
very hard form developed without many of inner peace teachings common
in
most eastern martial arts.
GATKA - An ancient martial art from India, practiced by Sihk
warriors. It is centered around the use of the saber, but hand to
hand techniques were also taught. Rare now, practiced mostly by
traditionalists, and almost unheard of outside of india.
GOJU RYU - A relatvely new martial art, deeply rooted in the Tao philosophy. It's priciples involve retaliation with the exact opposite amount of force as your opponent, if an attaker throws a punch, instead of grabbing ther punch, a practitioner will grab the arm, and break it, or use pressure points to attack him. If the offender tries to grapple with him, he will deliver a swift blow to the forehead, or a kick to the chest. It also teaches some weapon forms, favoring the more defensive weapons. A good brutal, defensive based martial art.
GUN FU - Completely geared around mastery of the handgun, this form
makes a firearm truly an extension of the user. Students are only
taught
the basics of surviving a gunfight - stay constantly moving, fire till
your opponent is dead, (preferably from as close a distance as
possible)
count your shots, when your out don't hesitate to find another weapon
instead
of taking the time to reload yours (the dead guy on the floor won't be
needing his anymore right) if your hit don't think about it till your
dead
or your enemies are, never panic, and above all keep your opponent on
the
defensive. Once a student has learned the basics the only way for him
to
advance in his art is through combat, so beginners don't stay beginners
long, they are either killed or they become better. A master is a truly
magnificent sight in a gun battle.
HAKOKO - Hawain wrestling, generally taught only on the islands.
HASHISHAN STYLE - This is the martial art of the dreaded Fedavi cult of the middle east. A cult very similar to the Thugee of India. It is an assassins cult, and members are typically brainwashed and fed a strong concoction of Hashish. This form doesn't have any defensive techniques, as the cult members fully intend to either succeed or die. Both the fedavi and the Thuggee were partial to the use of the knife, and of a special weighted sash used to strangle.
HOPPKIDO- A form of karate taught almost everywhere in the world.
It's
only major difference is that it is a tad more diverse than the basic
karate
although somewhat less powerful. It is a good form for beginners.
HISARDUT - Developed in Isreal for Mossad and the Isreali military,
Hisardut is an effective martial art and has grown in popularity due to
its efficiency and effectiveness. Taught mainly in Isreal, but it
has been spreading through North America, Europe and Australia.
HSING-YI CHUAN - A very violent and harsh chinese form, training its disciples to hit hard and fast, and to take a hit without pain. While Eagle Claw was created for footsoldiers, Hsing-Yi Chuan was said to be created for officers, and as such is a more complex and refined martial art, though still very similiar. It also exchanges freely with Pakua, and the two arts are so similiar that they are often mistaken for each other. Hsing-Yi Chuan revolves around its"12 Sacred Animals" styles, namely, dragon, dove, tiger, crane bear, tiger, horse, monkey, turtle, snake, eagle falcon, swallow, and rooster.
HWARANG DO- An incredibly diverse form of karate, an attacker of
someone
using this martial art had better stay on their toes. A practitioner
will
wait to be attacked then counter attack with the opposite of whatever
is
coming - if kicked he will grab his opponent's leg and throw him, if
grabbed
instead of trying to break free he will simply punch the offender.
Originally
from Korea this form is still taught almost exclusively there.
IRISH CUDGEL FIGHTING - This Irish fighting art revolving aroudn the
use of a heavy club, commonly referred to as a shillelegh, has
undergone a resurgence in popularity in Ireland as of late.
Mostly due to an upswing in Irish traditionalists. Taught in
Ireland and in Irish communities.
ISHIN-RYU - Another common though relatively new form of karate it
is
taught around the principles of the bo staff and emphasizes quick blows
snap kicks followed by a hasty withdrawal only to be repeated again and
again till the opponent can no longer attack.
JAILHOUSE ROCK - A martial art developed in prison, by the
inmates. It's simple and straight to the point, which is usually
the avoidance of ending up on the point of someones Shiv. Taught
in any proison, anywhere.
JATTENHAND - Derived from Parkour and made into a philosophical
martial art for full conversions. Tracers, as practitioners of
Jattenhand are known, can often be recognized illuminated bands of
color worn
somewhere on the Tracers body. Most commonly these illuminated
bands are displayed on
wrists and ankles, so that when in motion a Tracer literally leaves
behind a light trail. Basic training generally involves a series
of "follow the
leader" type sessions, where the mästare starts out in charge,
running an ever
different and varying obstacle course through the city. As the students
learn to keep up they eventually progress to a level where they take
the leader position for other students, with the mästare watching
from the
sidelines, for technique and inventiveness. Graduation to mastery
come when the Student can challenge the mästare, and succesfully
lose him in a
chase, whether by making him fall or by simply losing him. The
rules of the chases are simple, no "civilian" interference, no property
damage. Among the student led chases, the "leader" position can be
challenged to unarmed combat at any time, but the chase has to keep
moving, even during the fight. If a combatant falls, is seperated from
the chase he loses all rights of challenge that day. A fall is defined
as cessation of controlled motion for longer than one round. If the
leader of the chase hits a dead end or can't continue the chase he
loses leadership rights to any chases for a week (or more at the
mästare's discretion). The philosophy Jattenhand is simple,
"Always keep movig, no matter, what, to rest is to die'!" (Note:
Jattenhand created by Mort and the other members of VFTE) For more
information see CHEAP
FBC.
JEET KUN DO- The style of kung fu developed and made famous by the
legendary
Bruce Lee. The reason he developed it was because he was sick of the
forms
recognized in most other styles of kung fu, his thoughts being that the
forms let your opponent know your moves in advance and that gave away
too
much of an advantage so he developed his own style. The name literally
means "no form". The style is incredibly fast and ferocious, its moves
are very difficult to predict making its user a very dangerous foe
indeed. Taught everywhere.
JITTE - Centered around the use of the knife or dagger this is a new
style developed by European nomads. In many places in Europe firearms
are
very hard to come by and very expensive, knives however are easy to
obtain
legal everywhere and you must be very skilled or very sneaky to use
them
well. Originally developed for trial by combat arenas where any dispute
can be settled whether it be as small as an argument between to people
or as large as territorial disputes. Also called the gypsy blade
fighting
style due to its nomadic origins. Taught only in the nomad
community.
JOGO DE PAU - Portugese stick fighting, taught almost exclusively in
Portugal.
JUDO- Perhaps the most common eastern martial art in the world, it
is
taught everywhere to anyone. It is a required course in many military
branches,
police forces and even school as part of the phys-ed program. A
Japanese
form of wrestling, it teaches to use your opponent's weight and
momentum
against him. Taught everywhere.
JUI JITSU - Another fairly common Japanese art this takes the
anything
goes approach to fighting. Not considered to be very honorable but very
effective. A good all around martial art. Taught Everywhere.
KAJUKENBO - Also known as Hawaiin streetfighting. Combines
native arts with those taught by japanese immigrants into an effective
means of self-defense. The art came about during a particularly
violent time in hawaiian history, when during the 1940's and 50's
street thugs and organized crime family's were fighting for
control. Taught mostly in Hawaii, though schools have poped up in
Japan, Tahiti, and the US Mainland.
KALARI - An Indian martial art rarely very rarely taught to
outsiders.
Closely related to the Hindu religion, it works well with the body and
mind mastering techniques of the Yogi's. Practitioners are
trained
with many different weapons, as well as in unarmed combat. For
the
optimum effectiveness the artist will cover his body in oil before a
fight,
to
make himself hard to grab. Rare outside of India and Hindu
communities.
KALIOPE- A martial art taught only to women, and taught in
secrecy.
Its primary philosphy is to defend against larger, heavier, usually
armed,
and usually male, opponents. This kata for this skill is a very
graceful,
dance, that resembles a cross between ballet, and tribal dances.
The skill is most effective when the artist enters the dance, because
the
dance moves in a circular motion, masking the oncoming attacks and
defenses,
and disorienting the attacker. The art is equally effective
against
group as it is single opponents. In more desperate times the art
also teaches dirty tricks, and escape tactics. Very rare, but
taught worldwide, new students are generally chosen after a careful
screening process.
KARATE - Your basic karate, if you don't know about this one you've
been on an island all your life. Taught everywhere.
KENDO - The Japanese style of fencing. This has its students get
geared
up in bamboo armor and proceed to whack the hell out of each other with
their bamboo swords (shinae's). Not very common outside of Japan this
is
the country's way of keeping the art of bushido alive. A safer direct
descendent
of zanji shinkenjen-ryu and Kenjutsu.
KENJUTSU - This is the sword art of the Samurai, not as intensive as the harsher Zanji Shinjenken-Ryu, this art was the one preffered by soldiers and footmen among the samurai ranks. Very rare, even in Japan.
KENPO- Another form of karate also very common. It has more of an
emphasis
on grappling skills. Taught Everywhere.
KOBUJUTSU - This is an Okinawan style centered on armed combat
techniques,
and many of the tradition martial arts weapons are included in this
training. Taught in Okinwana, Japan, Europe, America, and
Australia.
KOPPO- An ancient Japanese martial art, the forerunner of modern
karate
and judo. It is a rare and obscure form and more deadly than its
predecessors.
Taught exclusively in Japan to a very select student body who must
prove
themselves worthy of the honor. Thought by some to be developed to
combat
the ninja clans of feudal Japan.
KRABI KRABONG - Quite possibly the fastest and most dangerous
weapons art in the world. Originating in Burma and Thailand,
Krabie Krabong is the armed version of Muay Thai. While spears,
staves, and other weapons are among its arsenal, the main Weapon of
Krabi Krabong is the Daab (or Dha), a short, light curved blade with
long handle (usually over half the length of the blade). The
Daab's are wielded in pairs, and are used much like (and with the same
amazing speed) Escrima sticks. Traditional forms have
indluded some rather odd looking leapins attacks that look like hops,
but in combat these are discarded in favor of more effective
movement. Where Kenjutsu is gracefull and fluid, Krabi Krabong is
furious and frenzied. Note: Whereas Katana's and somewhat
heavy (though not as heavyu as it's european couinterparts, Daab's are
short bladed and very thin. Blade lengths vary from 1 1/2 to 2
1/2 feet in length, and ceremonial daabs are often intricately
carved. Very rarely found outside of Thailand.
KRAV MAGA - This Isreali martial art was founded after WWII by a
jewish holocaust survivor. It incorporates the most deadly and
effective moves from the various martial arts and street fighting
techniques around the world. Every member of the Isreali Army
trains in it, Mossad operatives train to expert level. It is
quite possibly the most dealy form of martial arts in existance, meant
to take on multiple and armed attackers, there is no sport version,
there are no submission moves, it is entirely geared to either kill or
incapacitate your opponent as quickly and efficiently as possible.
KUK SOOL WON - A popular korean form, similiar to that of the
Japanese Samuria sword art, Zanji Shinjinken-Ryu. This is the
weapon
art of the legendary Korean warriors, the Hwarrang knights.
Taught everywhere in Korea, but not generally known outside the country.
KUNG FU- (American) This is your basic kung fu taught all over the
United
States and Europe. It is a bastardized mutt of many different forms
with
each school seeming to specialize in its own style. While not as
advantageous
as other forms of kung fu it is a good martial art in its own right, it
is very indistinct and easier to learn. Taught everywhere.
KUNTAO - An indonesian martial art, the chief competitor to pentjak silat, a competition which spawns often bloody rivalry. Teaching numerous weapon styles, as well an hand to hand, this is a well rounded, effective art. Unfortunately, like Pentjak Silat, it is not commonly taught outside of indonesia.
KUO-CHU'AN- (dog style kung fu) Perhaps the most comedic of all
martial
arts don't be fooled, for it is also one of the most effective.
Practitioners,
upon being attacked, will feign injury to the point of obvious
melodrama
- falling to the ground, rolling around, wailing like a child, and
generally
giving the appearance of a fool who is overly sensitive and has no
business
fighting. But it's all an elaborate ruse to get the opponent to
underestimate
them, thus causing the opponent to be of guard, and when
their opponent is sufficiently lulled into sense of superiority the
silliness
ceases and the attacks become very fierce often destroying the attacker
before he knew what happened. To further this deception, in any fight
that
is not a serious student of dog boxing will always purposely
lose. Almost unheard of outside of China, and even in the country
it is very rare.
KUPIGANA NGUMI- Known as the "Essence of African Martial Arts," Kupigana Ngumi is representative of many African martial arts. It is a very dancelike system, and focuses on style over substance.
KYOKUSHINKAI - This form of karate is based on striking power and
the
ability to take a blow. Powerful blows are honed to perfection by
demonstrations
where the students punch and kick through wood boards, cinder blocks,
bricks,
rocks, trees, whatever...... Body hardening also plays an important
part
and students subject themselves to having things broken over them or
hurled
at them or whatever else their masters can think of. Common all
over the world.
LEE KWAN CHOO- This is perhaps the greatest martial art of all, because it truly is only for defense. It is impossible to damage an opponent using this form. Meditation and spiritual enlightenment are a big part of this completely non-violent martial art. Geared completely towards avoidance attacks are made but cause no damage whatsoever, stopping just before contact and effectively stunning an opponent without actually striking him. When someone attacks a master of this style the master will usually dodge and parry their attacks until either they have beaten themselves up by running into other things, pass out from exhaustion, or simply give up. This form is only taught in remote Chinese monasteries.
LI-CHIA - (short hand kung fu) Always remaining within arms reach of
his opponent, the practitioner of this martial art attacks straight on
with as many punches and snap kicks as possible until his opponent has
been beaten into submission. A fairly common form of kung fu schools
and
can be found through out the US and Europe.
LUA - Once strictly prohibited to anyone but the Hawaiian
royal family, Lua has now become popular in America due to its bone
breaking techniques. Oddly enough, it is still illegal to teach
in Hawaii.
MARATABEEN - An arabian martial art originating from Morocco, taught
in most arab communities.
MIEN CH'UAN - (cotton fist kung fu) The master chooses the student
for
this art, which is centered on counter attacking with equal or greater
force. This is done by dodging and parrying attacks untill an opening
presents
itself, and then attacking the opponent's weak spots with full
force. Common in China, and taught though rarely in Europe,
Australia, and North America.
MOO GI GONG - A martial art that specializes in using anything as a
melee weapon. From a pair of chopsticks, to a stepladder. (JACKIE CHAN
is the foremost example of this type of fighting where in every movie
he
makes he does something of this nature- in RUMBLE IN THE BRONX he used
a ski, FIRST STRIKE the aforementioned stepladder, watch his Chinese
flicks
for better examples, I only used these films because they can be found
in video stores everywhere or are still in the theater.) As long as a
practitioner
of this martial art is not trapped in an empty room he is never
helpless.
Taught in monasteries and schools throughout China and Japan, as well
as rare schools in Europe and America.
MUAY THAI- (Thai kick boxing) One of the deadliest martial arts in
the
world. While it involves many spirtual aspects and ceremonies, the art
itself is simply brutal. From the age where they can
walk young children in Thailand are taught this ultraviolet form of
kick
boxing. The death toll from this sport in Thailand is staggering,
especially
today where bloodports are the most sought after forms of
entertainment.
As if that wasn't enough, organized crime controls the sport completely
and lives are traded daily for the entertainment of the crowds and the
money they lose gambling. Fixing a fight is common and if the fighter
refuses
to throw it they are killed along with their families and
friends. True Muay Thai is rare outside of Thailand, though not
unheard of.
NINJUTSU - This is not the fake ninjutsu you find in survivalist
camps
that cater to the paranoid. This is the real thing. The ancient
Japanese
art of assassination. On the whole the world thinks there are no ninja
left in the world, this is a cultivated lie. The ninja clans are still
there doing the dirty work for the highest bidder, and while they
usually
only work for Japanese customers they have been know to make
exceptions.
The ninja are the most feared assassins in the world, and this is a
fear
they have exploited to its full potential. Deadly and silent, beware
the
ninja, for he will never attack when expected, never give you a fair
fight
and never show any mercy. Ninjutsu is only taught at secret schools in
Japan.
NUBA STICK FIGHTING - Stick fighting, like wrestling, is
popular and traditional in almost every part of Africa. Nowadays
however stick fighting is used almost entirely for ceremony, as the
horrors of constant civil war in most of africa make it all but
useless.
NUBA WRESTLING - “Wrestling is more than just a sport to the Nubas—it is a seminal part of their culture with both social and religious purposes. Boys prepare for manhood through wrestling competitions. Successful wrestlers achieve a higher status that follows them through life. Wrestling also has connections with fertility rites, ancestral worship, and animistic beliefs. It is so intertwined with all aspects of Nuba culture, it is feared that if the Nuba were to lose wrestling, it might cause them to lose other customs.”- National Geographic This is very rare outside of Africa, and is closely tied to Nuba Stick Fighting.
NULL BOXING - A recently developed martial art, with little
philosphical
influence. This style was developed by the combatants the
underground
gladitorial pits sponsored by wealthy corporates. The style is
very
new, and is still evolving, and it has a duel purpose of being very
cinematic,
and very lethal. The practitioner will first make small attacks
to
gauge the skill of his enemy, then after playing with him long enough
for
the crowd to have a show, he will move in quickly with a barrage of
fast
powerful attacks, trying to kill or incapacitate the opponent as
quickly
as possible. (Created by Steven Barnes for his Aubry Night series
of books.) Taught in underground deathmatch circles all over the
world.
PAKUA - An art very similar to T'ai Chi Chuan. Common inside
china and taught with growing popularity all over the world.
PAO PAT MEI - (leopard style kung fu) Emulating the cunning and ferocity of the leopard a practitioner of this art will gauge his enemy carefully then attack this incredible speed and deadly force. Taught only in remote monasteries in China, Laos, and Vietnam.
PANZER FAUST- (for full conversions only) A martial art developed
exclusively
for use by full borgs, it centers on the enormous power and fantastic
speed
only a full body conversion could stand. (the stress in the joints
would
tear a human apart even if he could learn it.) Once learned this is the
only martial art a borg can know due to the rigorous training.
Originally taught only to US military full conversion cyborgs, it has
grown in popularity and bgun being taught in private schools all over
hte world.
PANZER KUNST - A martial art developed by one of the original
students
of Panzer Faust. Whereas Panzer Faust is geared for stand up
fighting,
and centers on the ability of a heavy borg to deliver powerful blows,
Panzer
Kunst was developed to make use of the lighter borgs speed and
agility.
It suffers from the same drawbacks as Panzer Faust. Taught in
private schools wherever there is a high population of Full Conversion
cyborgs.
PENTJAK SILAT- The eastern art of assassination, this martial art is
shrouded in secrecy and deceit. It has been said that to learn its
secret
is to lose your soul, no one knows where this is taught. Watered
down versions can be found almost everywhere.
SANKUKAI- Restricted only to Buddhist monks this martial art is designed to subdue an opponent until his anger has passed, or until the hold placed on his pressure points has caused him to pass out. This form of karate is only taught in Buddhist temples in Japan to monks who have served for no less than a year.
SAMBO- The Russian art of wrestling. It really just amounts to do
whatever
it takes to win. While it used to only be taught in the Soviet Union,
it
is becoming more common around the world since its collapse.
SAVATE- The French art of kickboxing, this is another martial art
that
has enjoyed success throughout Europe but has never hit iit big
anywhere
else. As a martial art it is not as fluid as most of the eastern
martial
arts due to its European background although it is devestatingly
effective and impressive to view in use.
S.C.A.R.S. - The Scientific Combat Auto-Reactionary System, also known as Autokinetics, is the martial art taught exclusively to Navy S.E.A.L.'s and Air Force Rescue teams. It is among the most brutal and effective learn martial arts on the planet, and is completely geared towards offense, in fact it teaches no defense, instead it focuses on killing moves, delivered as quickly and efficiently as possible. Training for this art is so harsh in fact, that many would be pratictioners, including seasoned martial artists and combat veterans, quit during the first day. Outsie of military training grounds, only one school exists, and it charges a 5,000eb per week fee for training.
SHAO-LIN KUNG FU- The original kung fu, all other forms have their base here. One of the oldest martial arts still in existence. It is only taught in china in shao-lin monasteries. The art is free to learn but one must go through the rigorous training and harsh discipline of the Shao-Lin monks.
SINANJU- The Korean art of assassination. This martial art is rumored to date back to the time of Christ. Although Koreans are known to exaggerate when it comes to this subject. It is said that masters of sinanju have staged the perfect assassinations and left there victims as nothing more than a fairy tale. Robin Hood was said to have been killed by a master of sinanju. There is only one master of sinanju per generation and his students spend their whole lives learning to take his place until he chooses one of them. All the other students are banished from the masters village forever.
SNAKE STYLE KUNG FU - Practitioners of this art keep their hands
open
when attacking and strike with their fingers. The attacking hand looks
like a snake striking and is very hard to get a lock on. The strikes
will
always be aimed at vital spots on the enemies body, eyes, throat, nerve
clusters, etc...This ancient style of kung fu is taught only in China.
STREETFIGHTING - Not a formal martial art, but it is a trained one,
practitioners generally work with thier own strengths and
weaknesses. Dirty fighting at its finest. Every
streetfighters art will be as individual as the practitioner, and the
stats given are merely representative.
SUMO- The ancient style of two fat guys in their undies trying to
push
each other out of a circle Taught mainly in Japan. This is their
national
sport and great care and ceremony goes into each bout. The wrestlers
aren't
just fat either, there is quit a bit of muscle in their enormous
bodies.
Fighting a sumo wrestler is not a good idea, a slap from a sumo could
break
your neck and you could hit him 30 times before he feels it. The worst
thing would be if he fell on you, so be careful around the big
guys. Taught in Hawaii and Japan.
TAE KWAN DO- A Korean form of karate that is centered on offensive attacks. Schools for this form can be found anywhere.
TAI-CHI CH'UAN- The single most common martial art in the world and
the national physical fitness program in China. In fact it is the only
martial art you can get instructional tapes for at any video store.
While
widely perceived as simply an exercise routine or meditation technique
it is a legitimate martial art. Taught absolutely everywhere.
TAIDO- Only one school in the world teaches this martial art and its found in Korea. It is a relatively new art and has attracted enormous popularity. Last year the school had a student body of over 2 thousand. The main reason for this is the amount of style involved. All attacks are ariel, and when performed properly are spectacular to observe.
TAI SING PEK KWAR- (monkey style kung fu) He who learns this form
will
act like a monkey during a fight, roll on the ground, flail his arms
and
make monkey sounds. Another martial art that takes advantage of a ruse
designed to confuse or enrage the opponent, and then attack him when he
is off guard. Rare even in China, outside the country it is
almost unheard of.
T'ANG-SU- This is oldest form of Korean martial arts known, and the precursor to all forms of karate. Exclusively an offensive martial art this style has no defensive moves at all. It is the most difficult form of karate and it is taught only in remote areas of Korea.
TE - The oldest Okinawan karate is a weapon based form, the weapons are what the martial arts weapons of today are based upon but then they were simply agricultural tools that the people learned to use as weapons. A form primarily focused on avoidance of aggression a practitioner of this art will never attack until he himself is attacked. It can be learned anywhere there is a large okinawan community.
THAMOC - The Art Of Modern Confrontation. This martial art was developed for police officers. The primary moves are geared towards self-preservation. Disarming techniques, blocks and holds used to subdue a criminal without resorting to deadly force. Taught at police academies and self defense courses throughout the world.
THRASH BOXING- This martial art comes from the streets and dance clubs of the world and is really nothing more than a combative dance. Even when engaged in a fight to death it will appear as though the combatants are merely dancing, until the blood starts to flow no untrained observer will be able to tell there is a fight going on. It seems that in the dance clubs of 2020 it is unlikely anyone would care, on the contrary such fight are often a spectator event. Learned only on the dance floor.
TIEN-HSUEH TOUCH- This is the feared death touch technique. This is
the most kept secret in the world of martial arts. Learning it involves
signing your freedom away to a black society and spending the rest of
your
life as a servant to the dark community of assassins. If the
practitioner
ever refuses a task or tries to leave he is hunted down and killed,
such
are the rules for the masters of the death touch. Also since this
technique
takes a lifetime to master, no other martial art can be learned after
this art is taken. But from
the start of your training until your death, you spend your time
mastering
the death touch. You can kill someone with a touch, not just
instantly but
up too weeks later. Not all practitioners however, are
malevolent, in fact some practitioners are well respected healers, due
to their innate knowledge of human anatomy and the flow of chi.
Students are chosen for this art, and it is highly recommended that
GM's NEVER allow characters to take it as a starting skill. If
they want it they must seek out the masters and provethemselves worthy
through gameplay only.
TSUI PA HSIEN (drunken style kung fu) This martial art is designed to resemble a drunken stupor. The practitioner wobbles about mumbling, looking like he is barely able to stand, making carefully orchestrated attacks and defensive maneuvers. Onlookers will be completely fooled, putting a master's victory down to sheer luck and his opponent will be battered, humiliated and dumbfounded. Taught only in China.
UECHI RYU - Another form of karate, originating in Okinawa.
U- RA - DO - This is a nomad martial art developed by the under
ground
population using an amalgam of all the martial arts brought in from
around
the world by the roving clans. It is said no two people know the same
style
and differences in bonuses may vary. (what's given is an average set of
bonuses) this gives practitioners an advantage in that there moves are
incredibly diverse and unpredictable. Moves are traded as favors or as
courtesy and when ever two clans meet there will always be the exchange
of forms and kata's. This martial art is also becoming popular in the
street
where youth's trade move's like skating tricks. Its users are known for
their love of the game footbag, which they play whenever they get the
chance. Taught only in the nomad community.
VARMANNIE - Taught only in remote villages in india, and almost
unheard of anywhere else, this martial art has no distinct forms, and
is geared towards an individuals own strenghts and weaknesses.
Mostly it is a grappling art, oddly enough geared towards multiple
attackers. The idea behind it is, you grab an opponent and move
him into the path of oncoming attackers, and use your feet to disable
them while they are unable to rush.
WAI WING CHUN- A popular form of Kung Fu, and one of the oldest in
the
world. Very effective, and very fast. This was Bruce Lee's
style before he developed Jeet Kun Do. Commonly taught in most
civilized countries of the world.
WRESTLING- Greco roman wrestling taught in every high school in America.
WUDONG - A chinese style, combining the art of deceptive fighting,
with
that of quick fierce strikes designed to end a fight quickly.
Common in China, and found sparesley in Europe, North America and
Australia.
WU SHU T'SUNG- (People's Republic Of China's Kung Fu) Is the official martial art of Red China. To learn you must travel to China and enroll yourself in the communist doctrine. A formidable and very hard style kung fu.
XING CHIAO - (eagles claw kung fu) Once again an animal style whereupon practitioners imitate the actions of an eagle, making leaping attacks with kicks and using there hands to make gouging and clawing attack, and then making a quick retreat to re-evaluate the situation before once again joining the fight. Taught in china by masters who live the hermits life, the student must struggle through the lack of his teaches presence and mostly teach himself.
YU-SOOL - A mixture of karate and Aikido this form teaches to counter with opposite resistance, a punch with a sweep, a parry with a kick etc...Taught only in Korea.
ZANJI SHINJINKEN-RYU- The samurai art of the katana. The Japanese swordsmen are undeniably the best in the world and this is their art. Completely geared towards the use of the katana and the bushido way of life, the student must first prove to the master that he is worthy. Almsot never taught outside of Japan, where even there it is growing increasingly more rare.(for more info read the book AUTUMN LIGHTNING)
ZERO GEE COMBAT - Only effective in a 0-G environment this is the art of fighting without gravity. Momentum and inertia are the major philosophies behind this martial art. Taught at any orbital station and at any military space camp.
FENCING AND ARCHERY
I don't include fencing and archery in my martial arts list, due
to the fact that outside their chosen weapon, they offer little to no
training in other areas. Therefore, fencing and archery do not
gain
the benefits of the martial arts.

MELEE WEAPONS
To make my life, and the life of all CP 2020 GM's, far
easier, I am giving an extensive list of melee weapons. However,
with this list the weapons will be classed by type. So as opposed
to having stats for each and every weapon, I will merely be giving
damage based of the general type of groups of weapons, along with rules
for customization, options, and quality, and all the things that that
entails. Hopefull the following lists, while not compelte by any
means, will give you enough information to place any other weapons you
might be curious about.
1. BLADED WEAPONS
| LIGHT KNIVES = 1
point of Damage, general cost of 10eb |
| Pocket
Knives, Scalpels, Pen Knives, Boxcutters, Knitting Needle, Ice Pick |
| MEDIUM KNIVES =
1/2 D6 Damage, general cost of 25eb |
| Steak
Knife, Balisong, Fillet Knife, Small Throwing knife, Boot Knife,
Stilleto, Small Kris, Push Knife, Folding Knife, Dirk, Bagh Nahks,
Teko, Ashiko, |
| HEAVY KNIVES =
1D6 Damage, general cost of 50eb |
| Combat
knife, Hunting knife, Butcher knife, Tanto, Bowie, Dagger, Large
Throwing Knife, Large Kris |
| LIGHT SWORD =
2D6 Damage, general cost of 100eb |
| European
Short Sword, Tai Chi Sword, Wakizashi, Daab, Machete, Kuhkri, Ninja-to,
Gladius, Large Survival Knife, Large Bowie, Butterfly knife, Chinese
War Sword, Epee', Foil, Barong, Sword Cane, |
| MEDIUM SWORD = 3D6 Damage, general
cost of 200eb |
| Katana, Broadsword, Dao, Chinese
Hook Sword, Tachi, Cavalry Saber, Scimitar, Cutlass, Rapier, Longsword,
Rapier, Shamshir, Small Scimitar, |
| HEAVY SWORD = 4D6 Damage, General
cost of 300eb |
| Claidmore, Zweihander, No-Dachi,
Bastard Sword, Greatsword, Flamberge, Executioners Sword, Large
Scimitar, |
| LIGHT THROWN WEAPON = 1 point
Damage, general cost of 5eb |
| Bar Dart, Shuriken, Asian
Throwing Spike, Hyo, |
| MEDIUM THROWN WEAPON = 1/2 d6
Damage, general cost of 10eb |
| Small Throwing Knife, Heavy
Shuriken, Boot knife, Bowie Knife, |
| HEAVY THROWN WEAPON = 1D6 Damage,
general cost of 20eb |
| Heavy Throwing Knife, Tomahawk,
Throwing Ax, Chakram, |
| VERY HEAVY THROWN WEAPON = 2D6
Damage, General cost of 40eb |
| Heavy Throwing Axe, Mongwanga,
Spear, Javelin, Lawn Dart |
| LIGHT AXE = 1D6 Damage, general
cost of 20eb |
| Hatchet, Tomahawk, Hand Axe,
Hunga Munga, Kama |
| MEDIUM AXE = 2D6
Damage, general cost of 40eb |
| Mongwanga,
Battleaxe, Woodsmans Axe, Splitting Axe, Carvers Axe, |
| HEAVY AXE = 3D6 Damage, general
cost of 60eb |
| Great Axe, Executioners Axe,
Double Bit Axe |
| LIGHT POLEARMS = 3D6 Damage,
general cost of 50eb |
| Spear, Hook Spear, Imperial
Polearm, Asegai, Boar Spear, Samburu Spear, Zulu Spear, Native American
Spear, Wu Cha |
| HEAVY POLEARMS = 4D6 Damage,
general cost of 100eb |
| Naginata, Kwan-Do, Lance,
Halberd, Poleaxe, Yari |
| LIGHT BLUDGEONING = 1D6 Damage,
general cost of 0-30EB |
| Short club, sap, Escrima Stick,
Brass Knuckles, Weighted Gloves, |
| MEDIUM BLUDGEONING = 2D6 Damage,
general cost of 50eb |
| Tonfa, Club, Cudgel, Cane,
Nightstick, Small Mace, Baton, Jo-Staff, Sai, Jitte, Hanbo |
| HEAVY BLUDGEONING = 3D6 Damage,
general cost of 25-75eb |
| Baseball bat, Nunchaku, Flail,
Mace, Bo-Staff, Large Club, Heavy Pommeled Cane, |
| VERY HEAVY BLUDGEONING = 4D6
Damage, general cost of 100eb |
| Heavy Mace, Heavy Flail, Great
Club, 3 Sectional Staff, |
| LIGHT FLEXIBLE WEAPON = 1/2 D6
Damage, general cost of 30eb |
| Riding Crop, Kangaroo Rat,
Switch Whip, Bamboo Whip, Weighted Sleeve or Sash, |
| MEDIUM FLEXIBLE WEAPON = 1d6
Damage, general cost of 50eb |
| Short Bullwhip, Cat-O-nine-tails, Bicycle chain, |
| HEAVY FLEXIBLE WEAPON = 2d6 Damage,
general cost of 100eb |
| Bullwhip, Heavy Chain,
Manrikigusari, Jie Jui Ban, Monowhip |
| MELEE WEAPON
QUALITY |
| 1 |
Cheap,
breaks on a roll of 4 on a 1D10 after any fumble or parry |
| 2 |
Poor
Quality-breaks on 2 or less on a 1d10 after a fumble or parry |
| 3 |
Standard
Quality, hard to damage, breaks only on a critical fumble |
| 4 |
High
Quality, long lasting, can take abuse, military quality tool, almost
impossible to damage without specifically intending to. |
| 5 |
Masterwork
Quality, even trying, it is near impossible to damage. Only the
finest weapons can achieve this. |
4. MELEE WEAPON RULES

CREATING YOUR OWN MARTIAL
ARTS: Until now there has never been a working system for
how the Martial Arts and their difficulty modifiers worked, according
to inside sources this is because Mike Pondsmith just winged it and
hoped no one would ever notice. Well, I noticed, and decided we
needed something a little more streamlined, something that actually
works. Because of the formula I created, several martial arts
difficulties had to be changed, and the modifiers now actively reflect
the bonuses given by martial arts. It is also important to note,
that now, absolutely no martial art has less than a (2) modifier.
This is far more realistic and in line with the point of martial
arts. After all, why would anyone take brawling if they could get
a martial art for the same price. The formula for existing the
existing martial arts presented above, as well as for creating your own
new martial arts is as follows:
| MARTIAL ARTS DIFFICULTY MODIFIERS: |
| DIFFICULTY
MODIFIER (2)= |
1+1D6 in MA bonuses |
| DIFFICULTY MODIFIER (3)= | 7+1D6 in MA bonuses |
| DIFFICULTY MODIFIER (4)= | 13+1D6 in MA bonuses |
| DIFFICULTY MODIFIER (5)= | 19+1D6 in MA bonuses |
Using a die allows for differential between any new martial arts
created, otherwise everyone would just max out their martial arts
bonuses. For an example of a new martial art, choose the
difficulty modifier,
ATHLETICS AND ENDURANCE:
Having skill in Endurance AND Athletics allows you to drop the
Difficulty modifier by 1 point (minimum +2 modifier). However
this only works as long as your Athletics and Endurance skills are
equal or higher than your martial arts skill. If your martial art
skill raises high than these two skill the difficulty modifier reverts
to normal. Obviously Full conversion Cyborgs cyborgs ignore this
rule, and instead all martial arts EXCEPT those which are considered
BORG only have a difficulty modifier of one point lower (minimum of +2
modifier). Full borg only martial arts are unaffected, thier
difficulty modifier cannot be changed.
MULTIPLE MARTIAL ARTS: When reading the rules you may say to yourself, "What's the point you can only use one at a time anyway, so one offensive and one defensive is all I need, its all I can use anyway right?" Well.... kinda. True if you have a 4 in karate and a 2 in koppo you can't add them together to get a 6 when trying to kick someone, but what you can do is take the highest value bonus from your various martial arts. So say you have a martial art with a punch of 4 and a block of 1, and you take another martial art with a punch of 2 and a block of 3, you keep the punch of 4 from the first martial art, and use the block of 3 from the second, so you keep the highest bonus given of any martial art you know. I know a lot of people are going to disagree with me on this but listen up. The reason someone takes more than one martial art in real life is to increase their physical arsenal, the more ways you know how to do something the better you can do it. So you say, "Well gee, if i take a bunch of martial arts at level 1 I will be invincible right?"...WRONG. First off, most people don't have the time, money or resources to devote to the rigorous training. Even if a character does he will spend all his time practicing. GM'S worrying about this upsetting the power balance of your game take note- if the characters can do it so can the bad guys- or the good guys depending on what kind of characters you have running around in your game. And if they don't keep practicing they begin to forget and their skill level drops and they're screwed. Make their sensei's a strong influence in their lives. Role play their training- that's where they will be spending most of their time anyway. If they do take multiple martial arts have their schools clash. There are all sorts of things you can do to discourage your players from getting out of hand. Use your imagination.
"WHAT IS STEEL COMPARED TO THE HAND THAT WEILDS IT" Conan The Barbarian
DAMAGE: Here is a sensitive
issue - damage is figured by adding the
level of your martial arts skill (only the applicable one dufus) to
your body
damage modifier and the roll of the dice. Exactly as it says on page
100
of the CYBERPUNK 2020 RULEBOOK (page 102 of the updated
version)and
page 137 of the PACIFIC RIM SOURCEBOOK. Again a lot of people
are
gonna disagree here too, but not only is it the official rules - it is
also a fact that a properly trained hand can do more damage then any
conventional
handgun round. Even a .50 AE bullet won't destroy a cinder block but I
personally know people who can break several at the same time with
their
bare hands. NUFF SAID!
GRAPPLE, HOLD, THROW
AND CHOKE: Grapple is meraly used to
initiate a grab action, afterwards you can choose whether to Hold
(continue grab), Throw (fling your opponent), or Choke (use the
grappling action to do damage, either through a choke, joint
manipulation, arm breaks, etc.) The most dangerous martial
artists in the world do most of their damage through joint locks and
breaks, when you can grab a persons arm, and break it in four places,
then proceed to work your way down the body, you have effectively won
the confrontation. As such, the Choke action gets the damage
bonus that apply to kicks, punches, rams, and throws as well (Martial
Art skill plus STR bonus, plus weapon if applicable).
WEAPONS: Depending on the
martial art learned, it also might teach the
use of a variety of weapons. Anything with a strike bonus offers
weapons training.
There are also some, like THAMOC that have no bonus, but train in
specific
weapons anyway (in this case the tonfa/nightstick).
Special abilities of the martial artist:
Falling- This is an ability common to every martial art available, basically it is just knowing the proper way to fall and take the least amount of damage, a martial artist can divide the dice value of damage taken from falling by half.
Katas- Kata's serve duel purposes, in one sense they are away to work out, stretch and meditate simultaneously, in another sense they accustom the artist to his art, till it becomes a second nature.
Meditation- While meditation is not singular to the martial arts, it is a very important part of it to many of them, although most of the western arts do not place much importance on the benefits of meditation.
One-inch punch- This is an ability made famous by the legendary Bruce Lee, and involves focusing all the energy and momentum of your body into one place, then starting with the fingers extended and touching the target, you quickly close your fist and punch the distance of your closed fingers. While in combat it doesn't offer many benefits, it does act as a full fledged punch, doing the same amount of damage.
Iron Fist- This takes years of conditioning the hands. It starts with the artist pounding his fists and feet into the sand, then graduating to trees, to rock, in some cases going as far as glass and burning coals. The purpose of this is to build up hard callouses on the hands and feet , which will allow the artist to drive his hand through wood, blocks of ice, etc... While it really provides no combat benefits, it can be used to shatter barriers and to show off skills.
Pressure Points- Most eastern martial arts teach the locations of the pressure points and nerve clusters on the human anatomy. For more detail of this area see my Master Rules List Volume 2.
Dim Mak- This is the deadly touch of death, available only to disciples of the Tsien Hsueh Touch. To use the touch of death you must first concentrate for 3 rounds. During these three rounds you may mot make any other actions, and if you do, or are interrupted, you must start all over again. Next roll a succesfull punch, and this roll must succeed by at least 5 points over your opponents block/parry or dodge roll. A succesful roll indicates that the strike was performed correctly. To determine how long it will take for the effect of the strike to take place roll 2D6 with an additional day for every level of the artists skill. (At a 10 skill level the artist can choose how long it takes up to 25 days.) The victim can roll a save, (bod + luck+resist torture/drugs *or endurance, whichever you feel is more applicable* + roll.) but it must be higher than the attackers total strike roll +1 point per day that goes by. The victim can only roll once per day, and unless the victim recognized teh technique he or she will be unaware anything is wrong (so the GM should probably make their save rolls without telling the character what is happening). The victim will feel perfectly normal until the fated day arrives, then suddenly and without warning he will he will suffer an anuerism and die.
(While Tsien Hsueh Touch is the only art in the world that actively teaches this technique, it has spread very rarely to other forms, and is usually kept as a closely guarded written secret, kept only in the most remote of temples and dojo's, and known only to the eldest, most revered masters. In these situations the technique was usually stolen as a means to defend against the masters of the death touch, and it is under no circumstances actually taught unless the master feels a very real threat from the Tsien Hsueh Touch.)
Healing- Martial artists can use their knowledge of the human body to heal as well as to hurt. For the rules on this refer to the Rough Guide To The Pacific Rim sourcebook.
Gun Fu- Gun fu is centered around the use of the handgun, and offers many bonuses to close combat firefights. For the complete rules of Gun Fu, please refer to Listen Up You Primitive Screwheads, The Referee's guide.
Borg Arts- Artists with a full coversion package are physically superior to most men, and their bodies allow for a much greater range of ability, therefore the borg arts Panzerfaust, Panzer Kunst, and Jattenhand, are geared specifically towards borgs, and allow for greater damage and a wider range of maneuvers. For more on this please refer to Solo of Fortune 2.
Feel free to e-mail me and
let me know what you think, if you have
any
questions or even to complain, and remember, keep your feet on the
ground
and don't reach for moving Shuriken.
